process

learning touchdesign + hoverlay + brackets

land body object

how to perform the body plastic?

what are the land relations, what are my land relations, and what are the land relations of the project’s materiality?

what is the potentiality of transcending the gendered body, and what does that look like in the digital sphere? acknowledging the conversations already being held

I am looking into the presentation portion of this project and how it can continue to live for those who visit the site physically or have the capacity to visit virtually:

[1]   Research and documentation would occur on site while weather permits
[2]  One live performance of the wearable / choreographic score on the shore closest to Galleri F15
[3]  Collection of data: photogrammery and 3D image rendering of the body performing the material(s)
[4]  Integrating this 3D image + videos into the application Hoverlay
[5]  Mesh all of this information into one website—with text, image, video, resources to expand participation and interaction with the notion of co-reciprocal choreographies—how this can be a practice of everyday?

January 20, 2022
I am meeting with Montreal-based clothing/wearable designer Cat Lauigan to discuss the creation of the costume—tubed material around the forearms and a draped piece of mesh (material to collect, sift) that is easy to slide in and out of.

January 29, 2022
3 hour AR workshop—via Inter/Access—with John Craig Freeman, augmented reality artist with a focuse on public space, + Nicolas Robbe, Hoverlay developer.

February 14, 2022 
Meeting with with Eivind Karlsen, Gallery F15 postponed
↳ presentation document

February 19, 2022
Work in progress by Cat Lauigan ⤸

Liboiron, Max. Pollution Is Colonialism. Durham: Duke University Press, 2021.

Neimanis, Astrida, Pia van Gelder, Sue Reid, and Jennifer Mae Hamilton. Feminist, Queer, Anticolonial Propositions for Hacking the Anthropocene. Open Humanities Press, 2019.

Russell, Legacy. Glitch Feminism a Manifesto. Brooklyn, N.Y: Verso, 2020.